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Sandro Botticelli

March 1, 1445 – May 17, 1510)

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Biography

Alessandro di Mariano Filipepi, better known as Sandro Botticelli ("little barrel") was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli.

Born in Florence in the working-class rione of Ognissanti, Botticelli was first apprenticed to a goldsmith, then, following the boy's wishes, his doting father sent him to Fra Filippo Lippi who was at work frescoing the Convent of the Carmine. Lippo Lippi's synthesis of the new control of three-dimensional forms, tender expressiveness in face and gesture, and decorative details inherited from the late Gothic style were the strongest influences on Botticelli. A different influence was the new sculptural monumentality of the Pollaiuolo brothers, who were doing a series of Virtues for the Tribunale or meeting hall of the Mercanzia, a cloth-merchants' confraternity, and Botticelli contributed to the set the Fortitude, dated 1470 in the Uffizi Gallery. He was an apprentice too of Andrea del Verrocchio, where Leonardo da Vinci worked beside him, but he made his name in his local Church of Ognissanti, with a St. Augustine that successfully competed as a pendant with Domenico Ghirlandaio's Jerome on the other side "the head of the saint being expressive of profound thought and quick subtlety" (Vasari). In 1470 he opened his own independent studio.

Botticelli came of age in the time of Cosimo de' Medici. He lived to become the favorite painter of Cosimo's eminent grandson, Lorenzo il Magnifico. Lorenzo de' Medici was quick to employ his talent. The artist's paintings chronicle the triumphs of Lorenzo and the destruction of his enemies on the walls of Florence. Botticelli is representative of the Medicean age, his art is as extensive as the culture of the Renaissance itself. Always politically aware, the artist recorded the struggles between the Medici and the Pazzi and the Arrabbiati and the Piagonni. Botticelli made consistent use of the circular tondo form and did many beautiful female nudes, according to Vasari. The Birth of Venus was at the Medici villa of Castello.

He was influenced by Fra Filippo Lippi and Antonio Pollaiuolo. Neoplatonism, with its fusion of pagan and Christian themes and its elevation of estheticism as a transcendental element of art, was deeply influential in his artwork, as it was with his patrons, the Medicis.

 

This article is licensed under the GNU Free Documentation License. It uses material from Wikipedia.

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